The Social Network: Using Social Media to Pitch and Finance Your Project

WIFTI Summit 2012 and ScriptDC
University of California Washington Center in Washington, DC
December 1, 2012 4:15-5:45

Writer: Faith DeVeaux, Writer/Producer/Director, WIFV DC Member

Using social media as a way to raise money for your project was presented by Rachell Shapiro, Director of Development and Senior Producer at Rock Creek Productions and Laurie Scheer, Associate Faculty and Associate Writer Mentor at the University of Wisconsin-Madison. Ms. Shapiro presented information on the most common social media sites, and presented a case study based on her own production of From Hell to
Here.

Rachell Shapiro is an award winning producer and director who has been producing top quality media content for ten years. She is currently the Director of Development and Senior Producer at Rock Creek Productions, Inc.

Rachell Shapiro is an award winning producer and director who has been producing top quality media content for ten years. She is currently the Director of Development and Senior Producer at Rock Creek Productions, Inc.

The most vital piece of information was to visualize the back end from the beginning of production. The benefits of using social media sites such as Facebook, Twitter, Pinterest, and Linked-In include that they are free, you can build an audience and reach people that you can’t by normal networking, engage readers, learn from others, and raise funds. It is recommended to begin engagement prior to finishing your film. Rachell recommends to post two to three times a day on Facebook, but at least 5 times a day on Twitter, and to ask your followers questions. She also provided a comparison of Indiegogo versus Kickstarter.Tips are: set a fundraising goal, tell people about your project, set up contribution levels, create perks, and make a pitch video of about 2-3 minutes long. Be prepared to put in a lot of effort into the online campaign, let people know it’s a passion project, make as many connections as possible before starting your campaign, and keep in mind that campaigns 30 days or less are more successful than other lengths of time.

Laurie Scheer is a former vice president of programming for WE: Women's Entertainment. She has worked as an assistant, d-girl, and producer for ABC, Viacom, Showtime, and AMC-Cablevision.
Laurie Scheer is a former vice president of programming for WE: Women’s Entertainment. She has worked as an assistant, d-girl, and producer for ABC, Viacom, Showtime, and AMC-Cablevision.

Laurie Scheer added to Rachell’s comments by stating that you do not have to be on all of the social media sites that are on the Web.  Development people are looking at campaigns for possible material. She then continued the discussion by listing and  showcasing sites where one can pitch projects virtually. She particularly recommends tvtracker.com to get started researching studios and their needs. On virtualpitch.com, you can post a short video of yourself pitching your idea. Other pitch sites listed include inktip.com, querytracker.com, and triggerstreet.com.  Event and conference sites include pitchcon.org, nytvf.com, moviepitch.com, fadeinonline.com, and pitchfest.com. For all of these sites, Laurie reminds us to have your work registered with the WGA and/or have the copyright before posting your project, and there is no guarantee that your work won’t be stolen.  In addition, make sure your script is ready to go if someone should contact you, and have some pre-production planning complete. Resource sites include donedealpro.com, cynopsis.com, adweek.com, ypulse.com, deadline.com, gawker.com, and mediabistro.com.

Lastly, both speakers noted that both online and traditional fundraising options can be held at the same time. A new site, seed & spark.com, which incorporates both crowd funding and distribution, was introduced.

About the Writer: Faith DeVeaux, Writer/Producer/Director, WIFV DC Member

Faith DeVeaux is the author of When Duty Calls, and the Writer/Producer/Director of the short films The Visit and Life and Time. She is currently in post-production with her WWII documentary Double Victory: Two Warriors in the Fight for Civil Rights During WWII.

Pitch U

WIFTI Summit 2012 and ScriptDC
University of California at Washington Center in Washington, DC
Saturday, December 1, 2012  11:45a – 1:15p
Speakers:  Marilyn Atlas and Laurie Scheer

Writer:  Hannah Buchdahl, Women in Film & Video Member

Laurie Scheer and Marilyn Atlas role play to get their point across in WIFTI Summit / ScriptDC's "Pitch U".

Laurie Scheer and Marilyn Atlas role play to get their point across in WIFTI Summit / ScriptDC’s “Pitch U”.

You kinda had to be there to fully appreciate the role-play that made WIFTI’s “Pitch U” panel so enlightening – and entertaining. Because the two presenters – Marilyn Atlas, a tv/film/stage producer and personal manager, and Laurie Scheer, a consultant, professor and former programming executive – didn’t just talk about what makes a good or bad pitch. They demonstrated it.Laurie put on her best ‘pitcher-in-the-headlights’ look as Marilyn took on the role of studio or programming executive. I suspect Marilyn was far more patient and polite than most execs would be under normal circumstances, but we got the gist. And it’s this: pitching is an art. If you can’t deliver your logline with passion, conviction and simplicity then you’re probably screwed. You also need to be prepared with research to back up your brilliant idea. What’s the genre? Who is your target audience? What is your character’s journey over the next five seasons? You need to be able to build an instant rapport with the person you’re pitching to and keep them interested and engaged (i.e. No reading from paper; paper is dead anyway!). And, you’d better be on top of the marketplace. If a similar concept is already in development, or a show just like it was just cancelled – you’ll need a Plan B.

Most of us in the biz know (at least in theory) the importance of character, conflict, stakes, the relationship between characters, etc. in the development of story… I’ve certainly been to my share of workshops (including an excellent one in L.A. that Laurie did a few years back). But it’s rare – and extremely valuable- to be able to see the practice of pitching in action, to see for yourself what does and doesn’t work. That said, I actually think Laurie’s intentionally “bad” pitch for “The Celestial Gardener” lifestyle show about a gardener who plants stuff based on astronomy and phases of the moon could probably find a home somewhere, especially with the right “talent” attached. After all, as the women were quick to point out, ‘television is all about defined niche markets”!

The best news for potential pitchers is that there are so many opportunities now to sell content – for the web, for television, for mobile devices, etc. The key is to know what’s out there and where your ideas may fit in. TV movies and one-offs are a much harder sell than series (fiction and non-fiction/lifestyle). And it can’t hurt if your idea has global appeal and trans-media, multi-platform potential.

Laurie suggests taking advantage of all the free e-newsletters you can get your hands on. I was glad to hear at least one of my daily reads was on the list – Cynopsis – from Cynopsis.com. But I’ll be signing up for several more in the days ahead. Who knew there was site geared toward programming for viewers under 25?  That would be Ypulse.com. Also on the list: DeadlineHollywood.com, Gawker.com, MediaBistro.com, and Adweek.com to name just a few. And if you’re looking to pitch a scripted series, Laurie says the Freaks and Geeks show bible is a must read – the “quintessential show bible.” It’s one of the few – and the best you can find online.

Knowledge is power – even in the world of pitching. Class dismissed.

About the WriterHannah Buchdahl, Women in Film & Video Member

Hannah is a freelance writer and producer for a variety of news, entertainment and corporate clients as well as the cofounder and chief contributor (as “Mainstream Chick”) to Chickflix.net, a relatively new site featuring movie reviews from unique female perspectives.

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